Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
To be lifeless is to be static, inert and idle. Life requires both a meaning and a purpose in support of its desire to know. Life/knowing requires a motive, i.e. a designation necessary for the Life to begin and sustain itself. In quest for experience desire becomes a wave, transforming from what was once a virtual (quantum) presence/field into universal substance. Impressions of desire taking the form of a wave (Yang) and a unity (Yin) the focusing attributes of substance. The impetus in support of knowing and experience sustains itself through a variety of apparent events made within the constraints of duality. Design affords consciousness the opportunity for growth and expansion through symbolic means.
The desire to know will attract contiguous energies that resonate to similar intentions and desires. Energy/light begins to intersect and congeal into patterns (geometries) designed to experience commonly shared fields of consciousness. Awareness' sustained growth in consciousness becomes a journey, a process of discovery, an experience. This is part and parcel of a en-lightening process reliant upon the symbolic strength of the imagination, a unification of awareness experiencing the fruits of a more expansive field of consciousness.
Virtual in its essence the imagination transforms concepts into ideas, formlessness into form though vibratory patterns stemming from situations encountered. Design drives the imagination.
What we perceive to be consciousness is a mental, emotional and physical projection of ourselves being reflected upon a virtual/holographic field of our own making. This multi-dimensional field, along with its conventions, are made "real" by virtue of the symbolic and transformative capability of our imagination. Any dimension, form or field can be made known and therefore considered real when cloistered about and/or within the imaginary parameters of an observer.
This principle has been scientifically described as the “observer effect”, which is actually an affirmation of the symbolic power in support of design and the imagination.
This leads to the question of what and where is our imagination? I am of the persuasion that our ability to imagine might actually be a product of our imagination, a virtual field called consciousness that purposely embraces and identifies with the symbolic characteristics and qualities that can be classified as being human.
The paradox surrounding the concept of our imagination being a figment of our imagination leads to the hypothesis that consciousness re-presents ourselves to ourselves through designs we've created in our own image. Design affords us the language we need to talk to ourselves for purposes of insight, knowledge and understanding. Every symbolic impression whether tangible or virtual, also harnesses the energy, light and information necessary to communicate multidimensionally. These symbolic impressions harbor the currents and leanings of a universal/cosmic order designed about an unknown Source, i.e. the Tao.
Every hologram harbors attributes required to experience the concept of consciousness. Feelings and thoughts including the forms they create, are products of our own desire and intent, i.e. conceptual impressions stemming from a virtual field of our own making, i.e. a consciousness symbolically designed for the purposes of knowledge, experience and growth in awareness.
Neuroscience / Source: McGill University by Keila DePape
The broadest description of what could be considered a conscious universe is but an expression of a greater Imagination, the tools of which are made real by a greater Design.
Edited: 11.28.2013, 10.16.2014, 01.11.2017, 05.06.2020, 12.03.2023
The broadest description of what could be considered a conscious universe is but an expression of a greater Imagination, the tools of which are made real by a greater Design.
Edited: 11.28.2013, 10.16.2014, 01.11.2017, 05.06.2020, 12.03.2023
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