December 18, 2008

Nature's First Patterns


Upon completion of the Vesica Piscus two more potential sources, i.e. centers, are made apparent by overlapping their respective circumferences with each other. These two additional circles share in a common radius and harbor the potential for the creation of a matrix for the purpose of further growth and magnification. In other words, the rotation around these new centers creates two additional circles and four additional Vesica Piscus in support of the original impetus behind the omnipresent center. There are now four additional centers and five Vesica Piscus orbiting about concepts brought about by the division of a single pointed awareness.





The two new circles add four more potential centers that together enclose the chamber of the Vesica Piscus with what has been described in sacred geometry as the petal. Repeating this process creates the two-dimensional blueprint for an ever-expanding consciousness ad infinitum. All of nature’s awareness and potentiality is conceptually described within the constraints of this medium.








Within the constructs of nature’s first pattern are the outlines for creating unlimited diagrammatic formations of conscious energy stemming archetypically from one universal source.













Edited: 11.28.2013, 01.11.2017. 10.15.2017, 09.08.2020, 06.12.2023
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2008 C.G. Garant. All Rights Reserved. (Fair use notice) AI usage is prohibited. You are also invited to visit https://designmetaphysics.blogspot.com/,   and https://sagariandesignnetwork.blogspot.com and https://www.pinterest.com


December 12, 2008

Design Metaphysics: The Pentad


Emerging from the birthing chamber created by the Vesica Piscus and the four-sided configuration (square) that preceded it is the five-sided pentad. The single point of the pentagram that points upward represents the life force as spirit, while the pentad’s other four elements, i.e. earth, air, fire and water, are given locations at the four lower positions. Together all five “elements” give relative form to what has been described as Life.

Conscious awareness has transformed into yet another universe, a realm of assorted formative experiences arranged and morphologically described as human. The pentad symbolizes humanity through the expression of its five senses and five extremities, along with the power to generate other qualified intonations stemming from a single unknown primeval Source.

The original force that appears to be hidden within the principled confines of the tetrad is likewise apparent in the fifth element of the pentad. It is the same primitive power that mediated and supervised the transition of energy from virtual substance into relative form, thereby transforming its own consciousness from one matrix into another, from principled formlessness (triad) into a measurable form (pentad).

The conscious life force being projected beyond the confines of the unknown becomes animated through the shape, construction and geometry of the pentad. This primal Source shares its’ being-ness and likeness with all forms created within the constraints of its own particular field of influence. Virtual substances partake in this process through the birthing (incommensurable) and growing (measuring) of this evolutionary consciousness. Humanity embodies this universal quintessence.

In essence, each and every one of us is a star, a microcosmic expression of the one universal agency that permeates all relative “substance” whether it is in a virtual “state” or not. The top point of the pentad represents this force as spirit, the force designed to rule over the lower elements that give it form and expression in a relatively material world.

At this point consciousness has been fragmented into five distinct elements that together create and give relative form to an evolutionary stage of awareness fundamentally prescribed to observe its own identifiable experiences within the “objective” world of form. This particular circumstance identifies what could only be described as an attainment of self-consciousness. All formations of energy, e.g. minerals, plants, animals and similarly the human species “qualify” this concept of self-awareness. Each expression is in a fashion, comparatively similar to the imaginings of those forces supporting and creating them.

Separate from the Principles surrounding the creation of the triad, the concept of duality returns to form an awareness of both the subjective (spirit) and the objective (material) worlds. Eventually consciousness becomes aware of its’ underlining subconscious, an awareness that has been intimately experienced in the search for balance between the seen and the unseen, the known and the unknown, the light and the dark.

As can be seen in the shape of the pentad, spirit is located above the elements of matter. Harmony is experienced through an internal awareness subjectively described as the true spirit, i.e. an essence, integrated within the design of each form. For humanity these experiences are communicated symbolically by means of design and contained within the conscious constraints of our awareness and imagination.

The evolutionary process implied in the pentagram describes the continuation of an increasingly complex journey. The conscious transformation of a greater awareness continues to enable its desires by the creation of vehicles of comparable being-ness. The digestion, assimilation and transmutation of this unknown consciousness is made self aware through its creations.




This phase is mandatory if any transformation of awareness is to be made conscionable and/or capable to further contribute to a greater self-awareness. This Life process is facilitated by design and is the basic impetus behind the concept of change.

The element of earth represents material substances, i.e. the matter required to discover, configure and mirror the spirit of the creator into its most appropriate forms. Nourishment, growth, security, foundation and the capacity to continue to experience awareness through form and matter are the concepts that symbolically characterize the element earth.

Another point on the pentagram represents air. Air is symbolic of the mind. The mind is a critical player in the experiencing of consciousness. Air gives expression to the purpose of design, which is to direct the thoughts, intelligence and reasoning power of the mind towards the examination of spirit through conscious experience.

The grounding of consciousness is made manifest by the element of earth and the transformation of relative substance. The mind allows consciousness to expand, attend self-consciousness and bring “spiritual awareness" into being. The mind allows self-consciousness to contemplate upon the power of the spirit thereby raising awareness through the experience.

The element of water is located at yet another point on the pentad symbolizing the concept of emotion. Emotions validate humanity as a sentient being engulfed with feelings that correspond with the unseen. As much as the mind (air) appears purposeful, when perceived in conjunction with the will (fire) the emotions are themselves become meaningful. As discussed earlier, the concept of kama-manas illustrates the relationship between the mind and the emotions while prescribing itself as the design tool of self-awareness.

Self-consciousness allows our emotions the opportunity to learn, understand and share the motives (will) behind the creations that internally and externally contribute to our being. Our emotions likewise allow us to experience the extremes of understanding in the forms of anger and love, joy and sadness. Along with our will we temper our mind with our emotions to learn about our own consciousness and why we feel the way we do.

The element of fire represents the will to express the awareness of spirit into all that is created. The fire of the mind (air) and emotions (water) brought into conjunction with the firing of substance (earth), will bring into cognizance and fruition the duality of a greater consciousness (spirit) making itself conscionable. At this juncture a systemic awareness is mirrored into the creation of every form of energy fashioned in time and space.

A pentad drawn within a circle unites all the elements required of humanity to maintain and perpetuate the sequential appearance of a single conscious awareness originating from one universal agency.


Five-ness implies that consciousness has now moved into a new direction and therefore a new dimension. Five-ness is part of ten-ness (decad) and is instrumental in finalizing a particular octave, or systemic matrix of awareness. Five-ness can be separated into composites of individual one-ness, which appears at the source of the entire system.

Five-ness transcends the elements that contribute to nature’s consciousness, thereby changing the “field” in which awareness (oneness, source) can express itself. Through change, five-ness gives life to an awareness of self that rests within the illusionary confines of the ego. Five-ness brings change to the whole by creating “situations” that challenge the stability given conscious expression by means of the tetrad (square). Five-ness disrupts order through change, which can be either positive or negative and is characteristic to this type of awareness.

The ego is challenged by the changes that appear before it. What may at first appear to be deceptive in character is the self upsetting the ego’s normal experiences in exchange for a kind of chaotic equality and an unavoidable struggle between two levels of awareness.

“The vibration of 5 is about acting on, daring to, embracing the non-conventional, and living the unpredictable. The 5 energy is pragmatic yet opportunistic and persuasive. This force is a natural detective; very intellectual, investigative and imaginative. The 5 possesses a strong vibrational frequency mixed with strong characteristics like: freedom-seeking, pioneering, innovation, adventure, and most of all: change.” 
Gillian Macbeth-Louthan
The Quantum Wakening Newsletter, January 2021, Issue #263 





Edited: 11.28.2013, 01.11.2017, 01,10.2021, 03.30.2023
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2008 C.G. Garant. All Rights Reserved. (Fair use notice) AI usage is prohibited. You are also invited to visit https://designmetaphysics.blogspot.com/, and https://sagariandesignnetwork.blogspot.com and https://www.pinterest.com 










December 4, 2008

Design Metaphysics: The Tetrad


Upon completion of the triad, consciousness begins to move away from the realm of relative spirit and into the realm of relative substance. This is a major point of transition in the design process. It is where the qualities surrounding the concept of virtual particles arrive at the potential of being incorporated into the creation of relative form.

Upon the onset of this quaternary position, consciousness becomes cognizant of the constructs of three-dimensional space. The ether of the virtual realm is no longer identified in the form of a wave, but rather as both a particle and a wave. Conscious awareness becomes seen and unseen by being both objectively and subjectively perceived and observed.

This new perspective brings measurable stability and strength to conscious awareness by clothing its energies and desires into what appears to be material and substantive. The tetrad brings into fruition the four classical elements of fire, earth, air and water, which will later usher in the fifth stage symbolized by the pentagram.

There are four directions, four elements and four seasons that together give reference to a unified whole that is individually expressed within the constraints of each quaternary. There is a metaphysical unity that makes itself apparent within the constructs of the tetrad. There also appears to be a designated order if you will, and a symbolic sequencing of events that together give reference to a single oneness and unity.

The parts are equal to the whole and are likewise reflections of that same wholeness in their configuration and relationship to each other, in addition to the greater pattern/form/shape in which they are contained.

The square divided equally from all sides becomes four square quarters within the whole, with each square considered a new beginning within the parameters of an evolutionary consciousness. The forms being represented are designs that are symbolically linked to an internal/subjective Source that reaches beyond the constraints of both the triad and the dual reflection of itself.

Here is where consciousness symbolically formulates the essential “quantum leap” between the material realm of form and the virtual realm of formlessness. Archetypically a greater consciousness creates the virtual matrix, i.e. a patterned construct, in which to “model” experiences into their most appropriate expressions.

The smaller squares that compose the larger square are patterned and measured constructions and reflections that are symbolic of the equivalent larger square. The smaller squares lie virtually hidden within the constraints of the greater field yet can emerge from within these grander constraints by merely piercing the realm of the unseen.

Emerging from the greater realms, i.e. fields, of the mind and emotions are the reflections and constructs of the archetypes lying hidden and unobserved within the subconscious. The subconscious describes the virtual world of consciousness. It is from the subconscious that the archetypal matrixes surface in order to model experiences in relative substance, i.e. matter.

(The origin of the archetypes stems from the Source, i.e. the monad, are reflected upon through its duality and brought into balance by its trinity, all whose expressions are unseen, intangible and hidden beyond the constraints of human consciousness. Even the Source itself, as we could ever imagine it, is but a part of an even greater field of consciousness which continues to expand ad infinitum)

In this process there is a natural and gradual squaring of the circle. The quadratic expression of unity and oneness fits neatly within the field of duality, i.e. the Vesica Piscus. The original point of consciousness, i.e. the Source, began as a point, became a line, a circle, a triangle and now a square.

The entrance of consciousness into a new realm and definition of “form” allows for the potential of yet an even greater awareness. The square, like the circle, is a symbol of unity, however only the square can be precisely measured. The four orientations of the wind indicate a conscious awareness of space and the relationships between the crossings of elements. The patterns of Life soon become apparent and symbolically represented in what appears to be the constraints of length, width, height, time and space.

Yin crossing yang brings life, which is nature. The intersection of opposites (meaning and purpose) is woven into the constructs of form and the fabric of all of consciousness made apparent in the universe. A new matrix has now been created where consciousness can expand and grow into its most appropriate form/s through experience. Design consciousness symbolically provides for creations both in form and formlessness, situations that can eventually guide perception and observation back to the origins of its own self-awareness, i.e. its’ own Source.

At this juncture consciousness needs to harmonize five constituents that together give form and substance to its awareness; they are fire, earth, air, water and the energy emerging from its’ Source. Some have described this energy as the soul. Because of the predominance of design in the process the relationship between the subjective interpretation and the objective interpretation of these “elements” will always remain symbolic in nature.

The desire originating from the Source gave being to awareness, has sometimes been described as the “life force”, life energy, prana and chitta. Key to expanding awareness is to become cognizant of the power inherent in the symbol and the power of design.

Change is the result of incessant movement within the universe, a notion that submits to a series of constructs or sequencing of events that eventually appear as relative forms of energy. The square is a symbolic representation of such a construct, or matrix.


The relationship between form and substance, movement, time and space, is induced by the symbolic geometry of the square. Likened to the changing of the seasons, each season evokes a different reaction or feeling to their expression, an appearance that individualizes and characterizes their essence. Similarly, consciousness will find its own expression, its own appearance and its own formation in the metaphysical geometries of design.


Edited: 11.28.2013, 01.11.2017, 03.18.2023
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL http://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2008 C.G. Garant. All Rights Reserved. Fair Use Notice. AI usage is prohibited.

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